Systema
has its own flavour and way of doing things. While the
techniques of Systema can be and are copied, it is the
underlying principles that cannot and which distinguish
it from many other arts. One of the first things to
strike the newcomer to the class is that many of the
drills are practised slowly. Coming from an internal
arts background, I was used to seeing slow movement
- though unlike my previous art there was no set routine
or pattern to the Systema drills.
The
usual reaction to seeing this sort of training is "but
how would that work in real life?" It can be difficult
for people to understand the benefit of slow training
drills, especially those used to seeing martial arts
in films or competition. Yet ask anyone how fast they
drove when they first had driving lessons? The next
question is usually "what if". Once again,
how many of these people, getting into a car for a first
lesson, would turn to the instructor and say "what
if an oil tanker overturns in front of me,spilling diesel
all across the road?".
There
is no problem in questioning practicality or asking
sensible questions, but people need to first distinguish
the difference between training and reality. In a regular
class we are not there to fight with our class-mates
- by fight I mean going all out to injure someone. We
are there to train each other. This means working in
different ways to develop different skills. Slow drills
are an important part of this process in Systema.
It’s
Not Cricket
Think
back to school cricket practice (if you did it). The
batsman is in the nets. He may want to work on some
defensive shots, or on some big hits. So the bowler
bowls him a few overs. Does the bowler chuck down a
100 mph bouncer and try to take the batsman’s
head off? No. Everyone would think he was a lunatic.
The concept is quite clearly understood by everyone
involved. The bowler is feeding a ball to the batsman
to give him something to work with. If the ball is a
bouncer the batsman is too busy getting his nut out
of the way to think about playing a stroke. At the other
extreme if the ball is bowled underarm at 2mph the batsman
has nothing to work with.
Now
transfer that same logic into the martial arts class.
Today we are working against punches. Do you go BANG
and knock your partners nose flat as he turns? Or do
you throw a soft punch that is already moving 2 foot
off target then pull it back before it gets anywhere
near your partner? I’ve seen both happen, and
no-one thought to say anything. Transfer back to the
cricket nets again and what do you think the reaction
would be?
So
what are we looking for at this level of training? For
the partner to throw a slow strong attack that, if not
dealt with properly, will not just land on the target,
but travel through it to some extent. If someone is
really trying to knock your head off they don’t
stop on contact. The technique must be slow at this
stage for two reasons - one it gives you time to study
how both yours and your partners body react and work
together. You can focus on what is happening as it happens
rather than think "Oh Sh-" and trying to jump
out of the way. Secondly, if you do get hit, it is not
going to do any real damage. In fact at times you should
get hit - it will start to condition you to taking blows.
Of
course real life is not bound by rules, but the point
is we have to start somewhere. And in fact the slow
drill approach allows you to work in various realistic
street methods - the use of chairs, improvised weapons,
multiple attackers and so on. Milling is fine, there
is a time and a place for it (and it is still bound
by rules), but we do that to develop other attributes.
Working
slow is also important at first when you start getting
into takedowns, locks and throws - the question of injury
again. If people are not too confident at falling or
rolling, driving them into the ground is not going to
increase their confidence and will most likely cause
them to tense up and get injured. Working slow allows
you to bring an element of sensitivity into your training
- you can start working against your partner’s
reaction to a lock or throw. You will find skill levels
increase much quicker this way, not only the locker
but the person being locked. It also allows you to become
accustomed by degrees to locks being placed on you -
-tapping out is not something we encourage, but rather
look for a way to escape.
So
should we work slow all the time? No, that wouldn’t
be practical either. The tempo can be increased as appropriate
to the students level and to suit the particular drill.
Working slow initially lets you study your own reactions,
both physical and psychological, to whatever pressure
you are under at the time. How is your breathing affected?
Your posture? Your strength of mind? These are all very
important factors in a real fight, yet are often overlooked
in a rush to "fight" each other in class.
As the level skill increases so too can the pressure
- more speed, more opponents, more uncomfortable positions
to work from - anyone who has undergone the Systema
method of four people simultaneously applying locks
on you while a fifth punches you will know what I mean!
Remember,
drills are just that - they are designed to work on
specific areas. The culmination of training all the
various Systema drills is the ability to integrate everything
together under pressure - and it is then that the process
of working slowly and surely will pay off.
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